top of page

(Michelle Tonkin)

Search

Writing & Conversations with Damchö

Gallery installation showing stacked sheets of transparent plastic printed with handwritten reflections on emptiness, forming the translucent facade of a fort-like structure. In the background, a plinth holds multiple copies of the artist's 1997 publication Emptiness.

Gallery installation showing stacked sheets of transparent plastic printed with handwritten reflections on emptiness, forming the translucent facade of a fort-like structure. In the background, a plinth holds multiple copies of the artist's 1997 publication Emptiness.

Sculpting Intent: Early Works 1997–2000

Central image from Bodhi Unbound, showing Damchö seated cross-legged in a black latex catsuit and hood, hands in lotus mudra at the heart. She wears a serene expression, framed by a large, verdant green Bodhi leaf.

Central image from Bodhi Unbound, showing Damchö seated cross-legged in a black latex catsuit and hood, hands in lotus mudra at the heart. She wears a serene expression, framed by a large, verdant green Bodhi leaf.

The Art of Being Unbound

Cover of Silhouettes of the Soul: Meditations on Fashion, Religion and Subjectivity (Bloomsbury), featuring a black and white photograph of a labyrinthine interior with vaulted arches, reminiscent of a church or sacred crypt interior

Cover of Silhouettes of the Soul: Meditations on Fashion, Religion and Subjectivity (Bloomsbury), featuring a black and white photograph of a labyrinthine interior with vaulted arches, reminiscent of a church or sacred crypt interior

The Art of Boundaries and Becoming in 'Silhouettes of the Soul.'

Portrait of the artist, Damchö wearing a transparent latex hood with openings for eyes and lips. Her eyes are closed, and she wears a burgundy latex catsuit. The colour tones are honeyed and milky, evoking a sense of enclosure and inward transformation.

Portrait of the artist, Damchö wearing a transparent latex hood with openings for eyes and lips. Her eyes are closed, and she wears a burgundy latex catsuit. The colour tones are honeyed and milky, evoking a sense of enclosure and inward transformation.

Alter Ego Podcast: Flowing Through Thresholds

Photograph of Band-Aid Buddha by Damchö, showing three seated Buddha-like forms covered in hand-pasted text and hydrocolloidal healing bandaids. Silver audio speakers are positioned behind each figure’s head, resembling halos. The work evokes a chrysalis-like, shrine-like atmosphere of enclosure, care, and ritual transformation.

Photograph of Band-Aid Buddha by Damchö, showing three seated Buddha-like forms covered in hand-pasted text and hydrocolloidal healing bandaids. Silver audio speakers are positioned behind each figure’s head, resembling halos. The work evokes a chrysalis-like, shrine-like atmosphere of enclosure, care, and ritual transformation.

Punctuating the Unspeakable: Montien Boonma, Ritual, and the Boundaries of Language

Atmospheric moonrise over the Himalayas, Himachal Pradesh, India.

Atmospheric moonrise over the Himalayas, Himachal Pradesh, India.

Pure Perception and Pure Suffering

bottom of page